Italy, 1863. Giorgio, a dashing army captain, is enjoying a lusty
affair with the married Clara in Milan, until he is ordered to a dusty
outpost. There, even as he and Clara exchange passionate love letters,
he becomes entangled with Fosca, the invalid cousin of his commanding
officer. Fosca, suffering from an undefined illness with both mental
and physical manifestations, becomes obsessed with Giorgio, who in
turn is both fascinated and repelled by her pure love/unhealthy obsession
for him and begins to unravel from the strain of her incessant attentions.
"Assasins"
"Everybody's got a right to their dream." begins Assassins,
a non-linear examination of nine people each believing in an inalienable
right to happiness. If their dreams don't come true, surely someone
is to blame. So why not shoot a president? At least it will get you
noticed. The assassins, appearing randomly, form a rogues' gallery
of killers and would-be killers: anarchic Polish factory worker Leon
Czolgosz to kill President William McKinley; megalomaniac Charles
Guiteau to shoot President James Garfield; would-be plane hijacker
Samuel Byck to crash into President Richard Nixon's White House; John
Hinckley, who dedicates his crime to then-teen movie star Jodie Foster
with whom he fantasizes a romance; Sara Jane Moore, a bumbler whose
gun is forever going off at the wrong time, and Lynette "Squeaky"
Fromme, with her visions of Charley Manson, who aimed for Gerald Ford
with an unloaded gun. Ending in a dark, surreal dreamscape with historical
presidential assassins urging a suicidal Lee Harvey Oswald to turn
the gun away from himself and aim it at the presidential motorcade
passing through Dallas. What makes Assassins genuinely challenging,
even creepy, is that it stirs up all sorts of provocative questions
without providing any answers. It specifically declines to offer the
audience the soothing safety of a moral conclusion to either accept
or reject. Assassins neither glorifies nor trivializes its characters.
Instead, it attempts to take us into their psyches and examine what
led to their hideous acts.
from "Sondheim, etc.: